Schubert's Lieder: Settings of Goethe's poems
A memorable piano debut. Even when he composed something that became popular in his time -- such as his extraordinary song the " Erl-King " -- his lack of business experience prevented him from realizing appropriate profits. Excellence versus success: Franz Schubert's motivation was to use his God-given talents to the best of his ability, whether anyone responded or not. The son is ill with a fever and believes he sees and hears the erl-king. The father tells him that the form he sees is only the fog and the sound he hears is only the rustling leaves.
The Erl King's Children
Among all these venturings, the most pronounced investigation of the Romantic heritage occurs in "The Erl-King ," a literalization of William Wordsworth's "we murder to dissect" "The Tables Turned" 28 that offers literary criticism through fiction by narrating the position of the Romantic subject. Isn't it romantic? The father it is, with his infant so dear; He holdeth the boy tightly clasp'd in his arm, He holdeth him safely, he keepeth him warm. Dost see not the Erl-King, with crown and with train?
For many a game I will play there with thee; On my strand, lovely flowers their blossoms unfold, My mother shall grace thee with garments of gold. My daughters shall tend thee with sisterly care; My daughters by night their glad festival keep, They'll dance thee, and rock thee, and sing thee to sleep.
And if thou'rt unwilling, then force I'll employ. Goethe's poem then took on a life of its own, inspiring the Romantic concept of the Erlking.
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Niels Gade 's cantata Elverskud , Op. Ludwig van Beethoven attempted to set it to music but abandoned the effort; his sketch however was complete enough to be published in a completion by Reinhold Becker Schubert revised the song three times before publishing his fourth version in as his Opus 1; it was catalogued by Otto Erich Deutsch as D.
The four characters in the song — narrator, father, son, and the Erlking — are all sung by a single vocalist. Schubert places each character largely in a different vocal range, and each has his own rhythmic nuances; in addition, most singers endeavor to use a different vocal coloration for each part. A fifth character, the horse, is implied in rapid triplet figures played by the pianist throughout the work, mimicking hoof beats.
The left hand of the piano part introduces a low-register leitmotif composed of rising scale in triplets and a falling arpeggio. The moto perpetuo triplets continue throughout the entire song except for the final three bars and mostly comprise the uninterrupted repeated chords or octaves in the right hand, established at the opening. Each of the Son's pleas becomes higher in pitch.
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Near the end of the piece, the music quickens and then slows as the Father spurs his horse to go faster and then arrives at his destination. The absence of the piano creates multiple effects on the text and music. The silence draws attention to the dramatic text and amplifies the immense loss and sorrow caused by the Son's death. The song has a tonal scheme based on rising semitones which portrays the increasingly desperate situation:. The 'Mein Vater, mein Vater' music appears three times on a prolonged dominant seventh chord that slips chromatically into the next key.
Poem The Erl-King - written by Johann Wolfgang von Goethe | meokfaclackderos.ga
Following the tonal scheme, each cry is a semitone higher than the last, and, as in Goethe's poem, the time between the second two cries is less than the first two, increasing the urgency like a large-scale stretto. Much of the major-key music is coloured by the flattened submediant , giving it a darker, unsettled sound. The piece is regarded as extremely challenging to perform due to the multiple characters the vocalist is required to portray, as well as its difficult accompaniment, involving rapidly repeated chords and octaves which contribute to the drama and urgency of the piece.
The rhythm of the piano accompaniment also changes within the characters. The first time the Erl-king sings in measure 57, the galloping motive disappears. However, when the Erlking sings again in measure 87, the piano accompaniment plays arpeggios rather than chords. Carl Loewe 's setting was published as Op. Collected with it were Op. Inspired by a German translation of Scottish border ballads, Loewe set several poems with an elvish theme; but although all three of Op. Amber rated it really liked it Dec 14, Marisa rated it liked it Jun 30, Coyora Dokusho marked it as to-read Oct 06, Jay marked it as to-read Oct 07, Christina Browne marked it as to-read Dec 05, Dana marked it as to-read Dec 05, Amy Adams added it Jan 14, Catherine marked it as to-read Mar 12, Tara Gibb marked it as to-read May 17, Gregory Kett marked it as to-read Sep 29, Sweetpea marked it as to-read Mar 25, Gijs marked it as to-read Apr 02, Coaxe is currently reading it Apr 04, Laura marked it as to-read Apr 04, Dark Luna Rose marked it as to-read May 04, Beth Martin marked it as to-read May 05, Kelley Ceccato marked it as to-read Jun 15, Carissa marked it as to-read Aug 11, Kari Hughes marked it as to-read Oct 17, Lila Lockhart marked it as to-read Nov 20, John marked it as to-read Jan 17, Feryal Morad marked it as to-read Jan 30, Ian Donnelly marked it as to-read Feb 06, Dave Johnston marked it as to-read Apr 13, Mel Johnson marked it as to-read Jul 07, Fabiana Alvarez marked it as to-read Jul 08, Ed marked it as to-read Jul 12, Lena marked it as to-read Oct 19, Arin marked it as to-read Nov 20, About Jordan Leah Hunter.
Jordan Leah Hunter. Jordan Leah Hunter is a writer, artist and model living in Northern California. Descended from Irish High-Kings, Vikings and Native Americans, she brings all the passion of her turbulent ancestry to her work.
A true devotee of Nature, she can be found outdoors at all hours and in all weathers, and when she suffers to have a roof over her head, it is usually to sit by her fire and read or play one Jordan Leah Hunter is a writer, artist and model living in Northern California. A true devotee of Nature, she can be found outdoors at all hours and in all weathers, and when she suffers to have a roof over her head, it is usually to sit by her fire and read or play one of several instruments.
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