You may be left wondering: I wrote a good old-fashioned opinion piece. Which of these outlets will actually print my op-ed? We encourage you to look at the Opinion sections on each site to get a sense for length, title, and topic of other op-eds.
An online magazine featuring compelling commentary on gender-in-Islam from both the male and female, Muslim and non-Muslim, perspectives. AltMuslimah publishes a combination of analysis and personal stories, and editorial staff works with contributing writers to revise pieces. You can submit your article here. A tech company whose mission is to economically and creatively support Black millennials across the African diaspora, so they can pursue the work they love, and change the world in the process. A women-centric website and digital news channel from VICE that focuses on women's interests and the world from a distinctly female point of view, telling women's stories through long form journalism and original online video.
A news and opinion website that provides a fresh spin on news, entertainment, fashion, beauty, lifestyle, books, and any and all subjects that concern women. The website targets women ages 18 to 34, focusing on general interest topics from a female angle. An independent digital media company delivering news and entertainment to hundreds of millions of people around the world. Scroll down for their Masthead, so you know which editor to pitch. A daily news site where race matters, featuring award-winning investigative reporting and news analysis. The Editorial section presents articles written by leaders, organizers and authors of color on topics such as racial issues, arts, and relevant social issues.
See all the details on submitting your own article here.
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An international fashion magazine for women. Often referred to as Cosmo, its content includes articles on women's issues, relationships, sex, health, careers, self-improvement, celebrities, fashion, and beauty. Cosmo prints personal stories; to find out who to pitch yours to, check out their company Masthead here.
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An online platform that champions radical fashion and youth culture, defining the times with a vanguard of next generation writers, stylists and image makers. Dazed has a dedicated editorial and video team covering news, fashion, culture, music and art. Find the appropriate editor to contact with your piece here.
These false friends often cloak lies and deceptions in wit, charm, and friendship to encourage self-destructive traits, such as jealousy; self-destructive behavior, such as binge eating or drinking; and misguided courses of action, such as plotting to rob a bank to get out of debt. Buck led Jake to believe incorrectly that Susan Mae had been unfaithful to him. The result: Jake broke off the engagement and moved from Milwaukee to Chicago.
Then give an example of what this foe did and what important effect resulted from that action.
For quick reference to types of adversaries, see the table. Think about the adversaries you identified from the backstory and how your character might see these relationships as the story begins. These may be the same adversaries in the same order as before, the same adversaries in a new order, or a new set of adversaries.
Or, one type of adversary may have become another— adversaries: then and now 33 for example, a powerful but restrained adversary may now be a fierce enemy. If a character starts to feel flat or passive, it may be a sign that you have not created adversaries who are fierce enough and powerful enough to force the character to a more intense and meaningful level of action.
Their similarities help explain what draws them together and motivates them to interact. Their differences make them each distinct and offer sources of conflict for the story. Think about the traits, qualities, and beliefs of your characters. How well have you balanced the similarities and differences among them? If two characters are allies, for example, we need to see enough overlap between them to believe their relationship. If the characters are too alike, however, they may seem only like slightly different versions of each other and their dramatic functions may feel redundant.
If two characters are adversaries, we need to see enough contrast between them to understand why they fail to fit together. If the characters are too different, however, we may have trouble believing that they could ever end up in the same story. Contrast also helps define characters by showing what they are not. In the play Lakeboat, we meet a crew of men who have lost their dreams.
We understand this loss by seeing it in contrast to the bright future awaiting the college student who has come aboard for a summer job. You may wish to repeat the exercise with the main character and other principles, one at a time, so you can better understand how the main character fits into—and is defined by—the population of the story. For best results: Focus on both similarities and differences. You are about to compare two characters in twenty-one categories. In each, decide first whether the charstage 2: getting to know the character better 35 acters are more alike or different in this area.
Focus on character traits, qualities, or beliefs that could possibly affect the story. Try to avoid choices that will have no influence on story events and are only for their own sake. List your responses in columns. Create one list for each character so that you can easily see how they compare. You will be asked first to respond objectively as the writer and later subjectively as each character. The characters in contrast are Lincoln and Booth. Inherited physical trait. The physical traits of your characters can have a significant effect on how they behave in your story.
Some of these traits— such as gender, age, race, ethnicity, body type, and identifying facial features—have been determined by birth. Think about how your characters compare and contrast physically. For each character, identify an important inherited physical trait that could affect story events. Acquired physical trait.
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Some of the physical traits, qualities, states, or conditions of your characters have been not inherited, but acquired as a result of environment, lifestyle, and experience. Such traits may be as temporary as a sunburn or as permanent as a scar.
Lincoln and Booth both exhibit a manner of dress that physically reflects their professions and approaches to life. Lincoln enters the play in whiteface and an Abraham Lincoln costume, an outfit that he wears at the arcade shooting booth where he works as a target for customers pretending to be assassins. Think again about how your characters compare and contrast physically.
For each character, identify an acquired physical trait, quality, state, or condition that might matter in the story. Psychological trait. Lincoln and Booth are psychologically opposites in many ways. The pessimist Lincoln sees himself as a victim of bad luck. He has lost his parents, his business partner, and his wife. He has no money 36 characters in contrast and no home of his own. When the play begins, he sees little in his future, except a hearse. The optimist Booth, on the other hand, has reached a point in life where he wants more than he has now.
He is hungry for success and determined at all costs to achieve it. Are your two characters psychologically similar or different? For each character, identify an important psychological trait. Social trait.sfplatform38jonathan.dev3.develag.com/the-confederacy-of-fallen-angels-the-flood-book.php
A Millennial Guide Companion: Where To Pitch Your Op-ed
Lincoln and Booth are alike in their inability to maintain meaningful relationships with women. Lincoln has lost his wife Cookie, and Booth has been unsuccessful in wooing his ex-girlfriend Grace. Are your characters socially similar or different? For each character, identify a key social trait. Lincoln and Booth are also alike in their lack of spending power.
Booth has managed to establish a home. Are your characters economically similar or different? Identify the economics of each character. Lincoln and Booth have defined their personal morality to suit their needs. Lincoln used to be a con artist—a three-card monte dealer—who saw his partner get shot and killed in front of him. Are your characters morally similar or different? For each character, identify a key moral stance. Extra special talent.
This is something at which your characters excel that could possibly affect what happens in the story. Lincoln is the best three-card monte dealer around. Think about the special gifts of your characters and how they compare. For each of your characters, identify an extra special talent.
Extra special lack of talent. This is something which your characters cannot do well at all that could possibly affect what happens in the story. Booth has a dream of being a three-card monte dealer, but no dealer skills to back it up. For each of your characters, identify an extra special lack of talent.
A distinguishing personal asset. Even when he is working as a target in a shooting booth, he can muster up a sense of peacefulness and meaningful contemplation. Meanwhile Booth has drive and purpose.
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